📆 Premiere: October 3, 2025 (Netflix)
🎭 Genre: #Drama · #ComingOfAge
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What a delight to see Cillian Murphy in such a raw and fragile role after the whirlwind of Oppenheimer. Here, he reunites with Tim Mielants (Small Things Like These) to portray the headmaster of a reform school in the ’90s, a worn-out man fighting against the institution’s imminent closure while battling his own inner struggles. Opposite him, Jay Lycurgo (Last Swim) plays Shy, a teenager caught between the violence of his past and the uncertainty of his future.

Director Mielants really convinces here, having worked with the boys in intensive workshops so that their real lives would bleed into their characters. 🎬 The score by Ben Salisbury and Geoff Barrow promises that electrifying yet sensitive touch that always hooks me.

Behind its simple title lies a complex portrait of forgotten youth, education as refuge, and the power of not having to face life alone.

📆 Release: October 17 in theaters · November 7 on Netflix
🎭 Genre: #Drama · #Horror · #SciFi
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After more than three decades reinventing the figure of the monster (from The Devil’s Backbone to The Shape of Water), Guillermo del Toro is finally taking on the mother of all stories: Frankenstein. Oscar Isaac plays Victor Frankenstein and Jacob Elordi surprises as the Creature, built from the remains of Crimean War soldiers, in a version as melancholic as it is brutal. Mia Goth, Christoph Waltz, and Charles Dance round out a cast that screams awards season gold. ⚡️

Del Toro has also addressed a long-pending matter in his career: his dreamed adaptation of At the Mountains of Madness, H. P. Lovecraft’s famous novella. It was one of his most personal projects and he spent more than a decade trying to make it happen with James Cameron as producer, but studios always considered it too expensive and too adult. Now the director admits he won’t pursue it anymore, leaving it as the great impossible film of his career.

I’ve watched the trailer several times and, although some shots carry that divisive “Netflix look” 📺, I can’t deny there are images that burn into your mind (that angel of death or the monster capsizing a ship are pure del Toro iconography). 🖤

: December 19, 2025
🎭 Genre: #SciFi · #Adventure
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The new Avatar trailer proves James Cameron isn’t slowing down. This third chapter introduces the Fire Na’vi, the Ash People, led by Varang (Oona Chaplin) and allied with the villainous Quaritch (Stephen Lang). Jake (Sam Worthington) and Neytiri (Zoe Saldaña) are still scarred by Neteyam’s death while facing an enemy that’s Na’vi themselves.

The footage teases aerial, oceanic and volcanic battles, with the crab mechs stealing the spotlight 🦀⚙️. Visually, it’s another Weta feast, though the trailer feels chaotic and gives away a lot. The most intriguing hint is that humans may soon breathe Pandora’s air, a twist that could reshape the entire saga.

Cameron already proved with Aliens, Titanic and The Abyss that no one stages action like him. The story may echo familiar beats, but when James Horner’s score, reimagined by Simon Franglen, swells and Toruk Makto appears, the goosebumps are undeniable. Never bet against Cameron. 🎥✨

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📆 Release: December 25, 2025
🎭 Genre: #Comedy · #Adventure · #MetaCinema
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Jack Black (Jumanji: Welcome to the Jungle) and Paul Rudd (Ant-Man) dive headfirst into the jungle in this reimagining of the 1997 classic that nobody asked for… but now I can’t wait to see. The premise is ridiculous: two friends decide to shoot their own homemade version of Anaconda, until fiction turns into reality when a real monster shows up among the vines and mosquitoes. 😄

Tom Gormican, who already toyed with meta-humor in The Unbearable Weight of Massive Talent, turns the reboot into a satire about impossible film shoots. It doesn’t take itself seriously for a second: Jack Black running like a maniac, Steve Zahn completely unhinged, and a remix of Baby Got Back that turns the trailer into pure madness.

What grabs me most is its stupidity. Instead of a serious remake, Sony bets on laughing at itself. And honestly, I’d take this kind of chaos 100 times over another soulless copy.

: October 24, 2025
🎭 Genre: #Drama · #Musical · #Biopic
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Scott Cooper’s new film (Crazy Heart, Hostiles) isn’t just another biopic. It locks us in with Springsteen in 1982 and turns Nebraska into a story about artistic choices and inner ghosts. I love that the trailer pulses with Atlantic City instead of falling back on the cliché of Born in the U.S.A.; that tight focus reminds me of the best parts of Love & Mercy. Jeremy Allen White (The Bear, The Iron Claw) nails the introspection, though at times I feel it’s “too much Jeremy” and not enough Boss; plus, the dialogue editing in the trailer feels chopped up and unnatural. 🤏🎙

What works in its favor is the austere texture that mirrors the album’s lo-fi spirit and the promise of avoiding the “Wikipedia set to music” trap that so many of us got tired of after Walk Hard. It arrives with ovations at Telluride and a 100% Rotten Tomatoes score; now it’s up to Cooper to find “something real” (as Bruce himself says) and not get stuck in imitation. If he pulls it off, this could be the bold outlier of the genre. 🎸🖤